A few ripples in the water changed the image. If I was setting up a shot, perhaps I would find a different coloured chair? It's up to you.
Monday, July 18, 2011
Wait for it.
Not the absolute greatest images, but it does show subtle diffences, that even waiting a few minutes can bring. Many landscape photographers will wait sometimes hours for the sun to be just right in the image.

A few ripples in the water changed the image. If I was setting up a shot, perhaps I would find a different coloured chair? It's up to you.
A few ripples in the water changed the image. If I was setting up a shot, perhaps I would find a different coloured chair? It's up to you.
Friday, July 1, 2011
Happy Canada Day 2011
Tuesday, May 31, 2011
Springtime, a Photo Essay...
Labels:
1,
Family,
General,
General Photography,
Nature
Saturday, May 28, 2011
Clouds, a Photo Essay...
Photo essays don't need words. All images were taken at the same location, within a one hour time frame.
Darrell Larose
Labels:
1,
General,
General Photography,
Nature,
Sky
Wednesday, April 27, 2011
Homage to Karsh of Ottawa
Selected by Ottawa's Harry Nowell, as his reader's Photo of the Month (April 2011)
“Inspired by Karsh’s famous, John F. Kennedy portrait.
I always liked this study (of Kennedy by Karsh), the fact reinforced when I held this original 11×14 photo in my hand. To see an original Karsh can’t be described. For a portrait photographer it is truly holding the Holy Grail. Karsh used very basic equipment, a 1956 8x10" Calumet view camera with a 1940's 14" (355mm) f:6.3 Kodak Commercial Ektar lens.
My self-portrait was inspired in terms of lighting and the profile. I opted not to be praying but I think I got the lighting close.

I opted to replicate Ilford FP-4 (my personal favourite B&W film), I added just a hint of brown-sepia to emulate Agfa Portriga warm tone FB photo paper.”
Darrell
“Inspired by Karsh’s famous, John F. Kennedy portrait.
I always liked this study (of Kennedy by Karsh), the fact reinforced when I held this original 11×14 photo in my hand. To see an original Karsh can’t be described. For a portrait photographer it is truly holding the Holy Grail. Karsh used very basic equipment, a 1956 8x10" Calumet view camera with a 1940's 14" (355mm) f:6.3 Kodak Commercial Ektar lens.
My self-portrait was inspired in terms of lighting and the profile. I opted not to be praying but I think I got the lighting close.
I opted to replicate Ilford FP-4 (my personal favourite B&W film), I added just a hint of brown-sepia to emulate Agfa Portriga warm tone FB photo paper.”
Darrell
Thursday, March 24, 2011
Playing around with Photoshop
I tried the Photohop "Theshold" adjustment, and got these interesting results. In order of my preference.

My second choice would be,

And my final choice, of the three would be.

These are fun, as in the darkroom days we would have copied the image to Litho film, or made a paper negative and gone numerous generations to bump up the contrast. All time & materials.
Darrell
My second choice would be,
And my final choice, of the three would be.
These are fun, as in the darkroom days we would have copied the image to Litho film, or made a paper negative and gone numerous generations to bump up the contrast. All time & materials.
Darrell
Wednesday, January 5, 2011
2011 Work
Pentax *ist D, smc Pentax-M 85mm f:2 manual focus lens. Single Bowens Bo-lite studio flash with honeycomb & grid to creat the spotlight effect, self-portrait. I liked the negative space and the tight crop.
So I laid a Fibonacci spiral on the image and noticed that the right eye (viewer's left) fit into the spiral. As seen here.
Divine Composition With Fibonacci’s Ratio (The Rule of Thirds on Steroids)
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