2012 in review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here's an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 8,300 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 14 years to get that many views.

Click here to see the complete report.

Mayan apocalypse canceled due to snow storm!

December 21, 2012: 12:00 noon local. I guess Quetzalcoatl (the flying snake) has trouble in bad weather, VFR conditions were poor today.



Darrell Larose
Ottawa, Canada

Ah Lichtige Chanukah

Ah Lichtige Chanukah, to all my Jewish friends.

Ihulim Levaviim,

Darrell Larose

Antonov AN-12BP (Cub) at CYOW

AviaLeasing AN-12BP arriving at CYOW Uzbekistan UK-11418

 

ANTONOV 12BP (Cub) Antonov An-12 (NATO reporting name: Cub) is a four-engined turboprop transport aircraft designed in the Soviet Union. It is the military version of the Antonov An-10 and was made in many variants.



An-12BP An-12B fitted with the two extra underfloor tanks of the An-12P, equipped with a NAS-1B1-28 (Navigatsionnaya Avtonomnaya Sistema – self-contained navigation system) and RSKM-2 (Rahdiolokatsionnaya Sistema Kontrolya Mesta – radio co-ordinate monitoring system).



Later-production An-12BPs were built with a wider cargo door and revised cabin windows placement.



Some An-12BP aircraft were built at the factories as commercial transports with all military or sensitive equipment removed, the designation for these aircraft was unchanged. But the tail gunner's position is still visible.



By:Images in Flight

Darrell Larose
Ottawa, Canada

November 24, 2012

Woke up Saturday morning to a winter snow squall, from the balcony it was a total white out.


Looking toward Britannia Bay.

Looking down from the balcony.



Later the same day, 4:30pm we had the sun setting over the Ottawa River.


Darrell Larose
Ottawa, Canada

Sunset and contrails over Lac Deschênes, Britannia Bay

Sunday November 11, 2012, around 5:00pm, with winter comes the short days, Sunday we saw sunset before 5:00pm EST.

Lac Deschênes is a 27-mile long lake on the Ottawa River that runs from the Chats Falls hydro dam near Fitzroy Harbour in the west to the Deschênes Rapids in the east. It is a little over two miles wide at its widest point and little more than a few hundred yards at its narrowest. The provincial border between Ontario and Quebec runs through the length of the lake with the City of Ottawa on its southern shore and the city of Gatineau on much of its northern shore.

Darrell Larose
Ottawa, Canada

Sunset over Lac Deschênes, Britannia Bay

Sunday November 11, 2012, around 5:00pm, with winter comes the short days, Sunday we saw sunset before 5:00pm EST.



Lac Deschênes is a 27-mile long lake on the Ottawa River that runs from the Chats Falls hydro dam near Fitzroy Harbour in the west to the Deschênes Rapids in the east. It is a little over two miles wide at its widest point and little more than a few hundred yards at its narrowest. The provincial border between Ontario and Quebec runs through the length of the lake with the City of Ottawa on its southern shore and the city of Gatineau on much of its northern shore.

Important information for Canadian photographers via CAPIC.

Important information for Canadian photographers via CAPIC.

November 7, 2012

A GREAT VICTORY FOR CANADIAN PHOTOGRAPHERS
OTTAWA, November 7, 2012: At last, Canadian photographers own their copyright.

The Canadian Association of Professional Image Creators (CAPIC) would like to congratulate all Canadian photographers in Canada on this important date and pivotal achievement in the photographic industry. As of today, Canadian photographers now officially own the copyright to all of their work whether the photograph is commissioned or not, thanks to the new Copyright law.

The principle of protecting photographers' ownership rights started 65 years ago by Henri Cartier-Bresson, who founded Magnum with Robert Capa and David Seymour. Magnum assured that a photographer's image belonged to the photographer and not to the commissioner of the work.

In Canada, all other artists have already owned the copyrights to their work and thanks to this new law, Canadian photographers, albeit the last in the industrialized world, now have all legal rights to their images.

CAPIC has been working towards this monumental achievement in Canada for more than 20 years through lobbying efforts and could not have achieved this truly important mission without the support of its members, who have contributed financially, morally and offered countless volunteer hours towards this major effort led by CAPIC National Copyright Chair, Andre Cornellier.

The Professional Photographers of Canada (PPOC) were a valuable partner in this achievement as well as the lobbying firm Temple Scott Associates for their work in Ottawa.

''I would like to thank the team that worked so patiently and for so long,'' commented Cornellier. ''Finally we have won a right due to us as artists. Thank you to Canadian photographers across the country for your support and patience and to André Amyot and Brian Boyle of PPOC for your work. It has been worth it.''

CAPIC will be providing more information on the direct effects of the law for Canadian photographers in the week to come as we celebrate this important Canadian achievement.

For more information:
André Cornellier
Copyright Chair
CAPIC, The Canadian Association of Professional Image Creators
andre@cornellierphoto.com
tel.: 514.933.4000

NEW FX-FORMAT AF-S NIKKOR 70-200mm f/4G ED VR Zoom

October 24, 2012
Today, Nikon Inc. announced the newest addition to its legendary NIKKOR line of lenses, the AF-S NIKKOR 70-200mm f/4G ED VR telephoto zoom lens that provides a popular and versatile focal length and a constant f/4 aperture for full frame FX-format photographers. The 70-200mm f/4 is the first NIKKOR lens to feature the third generation of Nikon's Vibration Reduction (VR) technology to meet the still image and video demands of advanced photographers and videographers.



"With the new AF-S NIKKOR 70-200mm f/4, Nikon offers enthusiasts an essential telephoto zoom lens capable of amazing clarity and control, at a price point that's easily attainable," said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc., "With the introduction of Nikon's third generation of VR technology, the AF-S NIKKOR 70-200mm f/4 lens offers superior performance and stunning image quality whether shooting beautiful stills or HD video in challenging lighting conditions."

Legendary Image Quality and Performance

In an expansion of Nikon's f/4 series of NIKKOR lenses, the AF-S NIKKOR 70-200mm f/4 is an uncompromising telephoto zoom lens ready for real-world creative applications by professionals and enthusiasts including sports, portraiture and wildlife shooting. Smaller and lighter than Nikon's AF-S NIKKOR 70-200 f/2.8 lens, this 70-200mm f/4 lens offers a valuable alternative that maintains the superior image quality and lightning quick performance photographers have come to expect from Nikon.

Additionally, Nikon's newest lens is the first to feature VR image stabilization technology that is able to vastly reduce camera shake and blur by offering the equivalent shutter speed of approximately five stops slower than otherwise possible. Now users are able to shoot confidently in lower light or while handheld to deliver razor sharp images and smooth HD video.

When used alongside the Nikon D4, D800 series and D600 D-SLR cameras, 70-200mm f/4 lens users can take advantage of Nikon professional grade teleconverters to increase the focal length without sacrificing AF and VR abilities. By utilizing the camera's cross-type focus points at f/8 and below, users can effectively double the focal length of this f/4 lens to 400mm and still retain the AF ability to capture clear subjects at an even greater distance.

Constructed from 20 optical elements in 14 groups, the AF-S NIKKOR 70-200mm f/4 maintains several core Nikon technologies including the exclusive Nano Crystal Coat to significantly reduce instances of ghosting and flaring. In addition, Nikon's Silent Wave Motor (SWM) provides quiet and responsive autofocus (AF) operation. The lens also features two versatile focus modes, M/A (autofocus with manual override) and M (manual focus) to adapt to a users shooting preferences. The AF-S NIKKOR 70-200mm f/4 achieves the top class feel, superior operability and solid handling that only NIKKOR glass can offer.

Price and Availability

The AF-S NIKKOR 70-200mm f/4G ED VR will be available in late November 2012 for a suggested retail price (MSRP) of CAD$1,449.95*. Nikon also offers an optional Tripod Collar, available in the near future for a suggested retail price (SRP) of $223.95*. For more information on this and other NIKKOR lenses, as well as other Nikon products, please visit www.nikon.ca.

*MSRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time. Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

Darrell Larose
Ottawa, Canada

 

Very old portrait study.

Back in 1969-70  I was introduced to the art & science of photography. Maurice Conklin was my mentor, he brought me into the darkroom where I first saw the magic under the amber light of a shiny white piece of paper soaking in a clear liquid magically forming an image. I admit at times I miss the darkroom, as I spent 30 years working in them.  Photoshop has it's own magic, but in a chemical darkroom you felt like an alchemist! Maurice was an Engineer for Defense Research, and was a long time member of the Camera Club of Ottawa. In 1970 he introduced me to the CCO, and I have been a member ever since.

Maurice Conklin © 1976 Darrell A. Larose, Ottawa.

Mamiya C-220 6x6cm TLR, Mamiya-Sekor 135 mm f/4.5 lens. 1200WS studio flash, Algonquin College photo studio.

Darrell Larose

Ottawa, Canada.

Visitor to my Blog

From time to time I notice unusual visitors to my websites and blogs. Here is a recent one.





Odd indeed!

New lenses from Tamron: 90mm f:2.8 Macro and 70~200mm f:2.8

September 13, 2012, Photokina

SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F004) for Canon, Nikon and Sony

Tamron announces the redesign of their legendary 90mm Macro lens, equipped with VC (Vibration Compensation)*1 and USD (Ultrasonic Silent Drive)*2 - SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F004)

Tamron Co., Ltd. (President and CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of a next generation 90mm Macro lens for full-size SLR cameras. The lens features completely redesigned optics, a proprietary VC (Vibration Compensation), and USD (Ultrasonic Silent Drive)

Specifications
Model		F004
Focal length		90mm
Maximum aperture		F/2.8
Angle of view(diagonal)		27°02' (with full-size SLR cameras) 17°37' (with APS-C sized sensor digital SLR cameras)
Lens construction		14 elements in 11 groups
Minimum focus distance		0.3m (11.8 in)
Maximum magnification ratio		1: 1
Working distance		139mm (5.5 in)
Filter size		φ58mm
Length*1		114.5mm (4.5 in)*
Entire Length*2		122.9mm (4.8 in)*
Diameter		φ76.4mm
Weight		550g (19.4 oz)*
No. of diaphragm blades		9 (rounded diaphragm)
Minimum aperture		F/32
Standard accessories		Lens hood
Compatible mounts		Canon, Nikon, Sony

• Specifications, appearance, functionality, etc. may be changed without prior notice.

• *Length, entire length and weight values given are for the Nikon mount.


• *1: Length is the distance between the mount face and the tip of the lens.


• *2: Entire length is the distance between the tip of the lens and the tip of the protrusion.

• This new lens will be sold alongside its predecessor, the SP AF90mm F/2.8 Di MACRO 1:1 (Model 272E).

Price: TBA.

September 13, 2012, Photokina

The most compact*1 full-size, high-speed telephoto zoom lens, delivering leading-edge image quality with Tamron’s proprietary VC (Vibration Compensation)*2 and USD (Ultrasonic Silent Drive)*3. - SP 70-200mm F/2.8 Di VC USD (Model A009)

September 13, 2012, Saitama, Japan - Tamron Co., Ltd. (President and CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of a full-size, high-speed telephoto zoom lens equipped with VC (Vibration Compensation)*2 image stabilization, and USD (Ultrasonic Silent Drive)*3 that achieves leading-edge image quality while boasting the most compact design in its class.

SP 70-200mm F/2.8 Di VC USD (Model A009) for Canon, Nikon and Sony

Specifications
Model		A009
Focal length		70-200mm
Maximum aperture		F/2.8
Angle of view(diagonal)		34°21'－12°21' (with full-size SLR cameras) 22°33'－7°59' (with APS-C sized sensor digital SLR cameras)
Lens construction		23 elements in 17 groups
Minimum focus distance		1.3m (51.2 in)
Maximum magnification ratio		1: 8 (at f=200mm: MFD 1.3m)
Filter size		φ77mm
Length*1		188.3mm (7.4 in)*
Entire Length*2		196.7mm (7.7 in)*
Diameter		φ85.8mm
Weight		1470g (51.9 oz)*(including detachable tripod mount)
No. of diaphragm blades		9 (rounded diaphragm)
Minimum aperture		F/32
Standard accessories		Flower-shaped lens hood
Compatible mounts		Canon, Nikon, Sony

• Specifications, appearance, functionality, etc. may be changed without prior notice.

• *Length, entire length and weight values given are for the Nikon mount.


• *1: Length is the distance between the mount face and the tip of the lens.


• *2: Entire length is the distance between the tip of the lens and the tip of the protrusion.

Price: TBA.

VC (Vibration Compensation)

VC (Vibration Compensation) is Tamron's proprietary image stabilization system. Tamron's VC is a three-coil system, whereby three driving coils activate the shake-compensating VC lens group electromagnetically via three ceramic balls. The VC lens elements are held in place only by contact with the ceramic balls, achieving smooth movement with little friction. This provides a stable viewfinder image with excellent tracking performance. And as the VC lens may be moved in parallel using only the motorized control, the mechanical structure has been simplified, enabling the creation of a more compact lens.

New VC System (moving coil method)
Tamron's original VC image stabilization mechanism utilized a moving magnet system whereby a heavy magnet was positioned near the moving VC lens element. In the new VC unit the positions of the magnet and the coil are reversed, because of this the VC optical lens element is attached to the coil. The new VC mechanism employs a moving coil mechanism with a lightweight coil, and the lighter coil reduces the load on the drive system. Thus, the lighter, more compact new VC unit contributes to the lens's overall light weight and compact size.

The Ultrasonic Motor

In the ultrasonic motor, a piezoelectric element arranged in a ring formation generates ultrasonic vibrations in a metallic ring stator, and the vibration energy is used to rotate a metallic ring rotor that is attached to the stator. The rotation energy is in turn transferred from the metallic ring rotor to operate the focus lens.

 

Darrell Larose
Ottawa, Canada

Sony Alpha SLT-A99 24MP full-frame dSLR

Sept 12, 2012 – PhotoKina

Sony’s long awaited α99 digital camera sets a new performance standard for professional-class DSLRs, combining all of the benefits of full-frame imaging with the responsiveness and speed of Translucent Mirror Technology.

The successor to Sony’s flagship α900 DSLR, the α99 camera features a brand new 24.3 MP full-frame image sensor, a unique dual phase-detect AF system and a host of other innovative technologies that work together to deliver the best image and full HD video quality in the history of Sony’s acclaimed line of α cameras.

“The new α99 camera is the ultimate combination of Sony’s expertise and rich history of image sensor production coupled with our truly innovative approach to camera design” said Mike Kahn, director of the alpha interchangeable lens camera division at Sony. “It redefines what can be accomplished with a full frame DSLR camera.”

New Levels of Imaging Performance and Response

The flagship α99 model combines its new 24.3 effective megapixel Exmor® CMOS sensor with a highly advanced BIONZ image processing engine, delivering unprecedented levels of performance in both still and video shooting.

The full frame sensor is enhanced by a newly-developed separate multi-segment optional low-pass filter, increasing its resolving power. Assisted by an all-new front-end LSI, the BIONZ engine can process massive amounts of image signal data from the sensor at very high speeds. Together with a powerful new area-specific noise reduction (NR) algorithm, it allows to the camera to achieve 14-bit RAW output, rich gradation and low noise.

The evolved BIONZ processor also gives the α99 model a maximum sensitivity range (in expanded sensitivity mode) as wide as ISO50 – 25600 – a range of nine stops. Its unprecedented processing power enables the camera to shoot a burst of images at up to six frames per second at full resolution or up to 10 fps in Tele-zoom high speed shooting mode.

The new α99 digital camera features a unique dual AF system, a world’s first for digital cameras. This camera’s main focusing system – a 19-point AF system with 11 cross sensors - is complemented by a 102-point focal plane phase-detection AF sensor overlaying the main image sensor. Harnessing the power of Translucent Mirror Technology, light is passed to both phase-detection AF sensors simultaneously and continually, measuring subject distance and position more completely than other cameras. This unique Dual AF System permits ultra-fast, accurate autofocusing that maintains tracking focus even if a subject temporarily leaves the frame.

The AF-D (depth) continuous autofocus mode* utilizes the Dual AF system for wider and more dense coverage of the frame, significantly improving AF performance with fast or erratically moving subjects against complex backgrounds. Additionally, during movie shooting, AF Duration control provides reliable depth focusing information and ensures that the camera maintains proper focus on its subject when objects or people cross the focal plane.

A new AF range control allows photographers to manually select foreground and background distance to which the AF system will not respond, especially useful for shooting fast moving sports or animals through a nearby wire mesh or in front of a complex background that commonly distracts camera AF systems.



Crafted for Videographers and Movie-makers

The new α99 camera’s video capabilities build on Sony’s expertise in developing professional motion picture cameras, combining the unmatched resolving power and sensitivity of the full-frame sensor with several advanced features optimized for professional video production.

The flagship α99 model is the first full-frame DSLR to offer Full HD 60p/24p progressive video recording to meet AVCHD™ Version 2.0 specifications and Full-time Continuous AF Movie mode, allowing smooth, non-stop tracking of moving subjects. Other enhancements include real-time Full HD video output via HDMI®, and uninterrupted ‘dual-card’ recording using both of the camera’s media slots.

For added convenience while shooting video, a new silent, programmable multi-control dial on the front of the camera body allows silent adjustment of common settings during shooting including exposure compensation, ISO sensitivity, shutter speed, aperture and much more.

The camera’s audio features are designed to meet the demanding needs of serious videographers. An audio level display and adjustable audio record levels are joined by a headphone jack for accurate in-the-field monitoring.  Additionally, the multi-interface shoe provides balance audio input for the optional XLR-K1M adaptor kit, which adds a high-quality mono shotgun microphone and pro-standard XLR connections for dependable audio acquisition.



Uncompromised Handing for Advanced Photographers

The camera’s XGA OLED Tru-Finder™ viewfinder offers 100% frame coverage on the viewfinder screen with exceptional brightness, contrast, clarity and resolution, ensuring a detail-packed view of the desired scene and subject. The unique electronic viewfinder will also maintain a 100% field of view with DT lenses that are optimized for APS-C sensor cameras, converting the angle of view automatically for image recording and display.

Complementing the Tru-Finder EVF is a three-way tiltable 1229k-dot (VGA equivalent) XtraFine LCD™ display with WhiteMagic™ technology to boost overall screen brightness. It’s especially useful for framing and shooting with the LCD in outdoor, sunny conditions.

Despite its impressive pro-class credentials, the α99 camera is the world’s lightest 35 mm full-frame interchangeable-lens digital camera. Constructed of high-rigidity magnesium alloy panels, it weighs in at just 733g (without lens and battery). Translucent Mirror Technology, which eliminates the need for a full-frame moving mirror mechanism and heavy glass pentaprism, also contributes to the extremely light design.

Additionally, the camera is weather-sealed and all buttons and controls have been ruggedized. A redesigned shutter block, tested to approximately 200,000 releases, further ensures the camera’s stamina and reliability.

The camera’s enhanced ergonomics include a re-designed grip and differentiated designs of several switches and buttons that allow for intuitive fingertip operation. A new exposure mode dial lock prevents accidental rotation, and a newly-developed Quick Navi Pro interface gives quick, intuitive one-handed access to common shooting parameters and controls.

The new model can also be operated via remote PC connection. Supported functions include switching between still and video shooting plus automatic transfer of still images from camera to PC for an improved studio workflow.

Designed for Professionals: New α Lens and Accessories

The full-frame imaging capabilities of the α99 camera make it an ideal partner for the new 300mm F2.8 G SSM II (SAL300F28G2) lens. Designed for demanding sports and wildlife applications, this bright super-telephoto offers a significantly improved optical design and handling compared with its predecessor. The Sony-developed Nano AR Coating assures flawless still images and HD video with reduced flare and ghosting, offering enhanced contrast. Further, a new LSI drive circuit offers faster, more accurate autofocus with enhanced subject tracking. The new lens is also dust- and moisture-resistant, making it an ideal candidate for the toughest outdoor shooting assignments.

Additionally, a new wide-aperture Carl Zeiss® A-mount prime lens is now under development. Optimized for superb results with the camera’s new 35mm full frame image sensor, the Planar T* 50mm F1.4 ZA SSM will be available next spring.

Offered exclusively for the α99 camera, the brand-new VG-C99AM vertical grip can house and manage three batteries in total (including the camera’s own on-board battery). Resistant to dust and moisture, the grip is ideal for lengthy shooting sessions in the studio or outdoors.

The brand new, range-leading HVL-F60M is a powerful flash (GN60, in meters at ISO 100) with built-in LED light that’s ideal for creative applications with still image or movie shooting. Smart functions include wireless multi-flash ratio control and Sony’s unique Quick Shift Bounce adjustment, while operation can be controlled quickly via the flash’s intuitive Quick Navi system. Also resistant to dust and moisture, the HVL-F60M flash comes supplied with a bounce adaptor for flash and a color conversion filter for use with LED lighting.

Compatible with 49mm and 55mm diameter lenses, the new HVL-RL1 Ring Light offers highly effective LED illumination of small subjects and is ideal for macro shooting**. Its high output level (approx. 700 lx/0.3m) is approximately four times brighter than the previous model, and operation can be switched between full-ring illumination and half-ring illumination.

The new XLR-K1M XLR Adaptor Kit is designed to meet the most demanding audio needs. It provides two pro-standard XLR terminals for connecting the α99 camera with professional microphones and mixing consoles and offers MIC/LINE input selection and separate adjustment of two channel levels to maximize operating flexibility. The adaptor kit comes supplied with Sony professional ECM-XM1 monaural shotgun microphone, but may also be used with a wide range of professional microphones. An optional bracket is required when using the XLR-K1M kit with the α99 model.

The RMT-DSLR2 Remote Commander allows wireless shutter release for still images and start/stop control of video shooting. It’s compatible with the new α99 models as well as other α A-mount and E-mount cameras that include a remote control receiver.

Styled to reduce carrying fatigue, the new LCS-BP3 Backpack can hold the α99 camera body, an attached telephoto zoom lens plus the VG-A99AM vertical grip as well as three to four spare lenses, accessories and a laptop up to 15.5”.

The ADP-MAA is a new shoe adaptor that allows Multi Interface Shoe cameras to be used with Auto-lock Accessory Shoe accessories. This adaptor will be supplied with the new HVL-60M flash and HVL-RL1 ring light mentioned above. Conversely, the ADP-AMA shoe adaptor allows Auto-lock Accessory Shoe cameras to be used with Multi Interface Shoe accessories.

Lastly, the PCK-LM14 Screen Protector Semi Hard Sheet safeguards the camera’s LCD screen against dust, scratches and fingerprints, and is supplied with a separate protector sheet for the top display panel.

Sony’s new SDXC memory UHS-1 memory card, SF-64UX (64 GB) is ideal for burst shooting with the α99. It’s ultra-high speed interface (UHS-1) compatibility offers high transfer speeds up to 94 MB/s (read) and rapid data rates when transferring large RAW files of video files to PC. The new cards are water-resistant and designed to perform under a wide range of operating temperatures. For additional data integrity, Sony’s File Rescue Software can help recover photos and videos that may have been accidentally deleted.

Pricing and Availability

The α99 full-frame digital system camera will be available this October as body-only for about $2800.

The SAL300GF28G2 lens will be available this November for about $7500.

The VCG-C99AM vertical grip, HVL-F60M flash and HVL-RL1 ring light will be available this October for about $380, $550 and $350, respectively. The XLR -K1M XLR adaptor kit and RMT-DSLR2 remote commander will also be available in October for about $800 and $30, respectively.

The LCS-BP3 backpack and PCK-LM14 screen protector will be available in October as well for about $160 and $17, respectively.

The new camera, lenses and all compatible accessories will be sold at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

Please visit blog.sony.com/a99 for a full video preview of the α99 camera follow #SonyAlpha on twitter for the latest α camera news.

Sony Alpha SLT-A99 specifications

Body type
Body type	Mid-size SLR
Body material	Magnesium Alloy
Sensor
Max resolution	6000 x 4000
Other resolutions	6000 x 3376, 3936 x 2624, 3936 x 2216, 2640 x 1760, 2640 x 1488
Image ratio w:h	3:2, 16:9
Effective pixels	24.3 megapixels
Sensor photo detectors	24.7 megapixels
Sensor size	Full frame (35.8 x 23.8 mm)
Sensor type	CMOS
Processor	Bionz
Image
ISO	Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800, 25600
White balance presets	8
Custom white balance	Yes (1)
Image stabilization	Sensor-shift
Uncompressed format	RAW
JPEG quality levels	Extra Fine, Fine, Standard
Image parameters	Contrast -3 to +3 steps Saturation -3 to +3 steps Sharpness -3 to +3 steps
Optics & Focus
Autofocus	Phase Detect Multi-area Selective single-point Tracking Single Continuous Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	No
Manual focus	Yes
Number of focus points	19
Lens mount	Sony/Minolta Alpha mount
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3"
Screen dots	1,229,000
Touch screen	No
Screen type	TFT Xtra Fine color LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	100 %
Viewfinder magnification	0.74×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/8000 sec
Exposure modes	iAuto Superior Auto Program Aperture Priority Shutter Priority, Manual
Scene modes	Portrait Sports Action Macro Landscape Sunset Night Scene Hand-held Twilight (6 shot layering) Night Portrait
Built-in flash	No
External flash	Yes (via Hot-shoe)
Flash modes	Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless
Flash X sync speed	1/250 sec
Drive modes	Single-frame advance Continuous advance Continuous adv Priority AE Speed Priority Continuous Self-timer Self Portrait Self-timer Continuous Self-timer
Continuous drive	Yes (2.5, 6 fps)
Self-timer	Yes (2 or 10 sec)
Metering modes	Multi Center-weighted Spot
Exposure compensation	±5 EV (at 1/3 EV, 1/2 EV steps)
AE Bracketing	(3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing	Yes ( 3 frames, H/L selectable)
Videography features
Format	MPEG-4 AVCHD H.264
Microphone	Stereo
Speaker	Mono
Resolutions	1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps)
Storage
Storage types	Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC
Storage included	None
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (mini HDMI Type C)
Wireless	None
Remote control	Yes (Wired or Wireless (Optional))
Physical
Environmentally sealed	Yes (Dust and moisture resistant)
Battery	Battery Pack
Battery description	Lithium-Ion NP-FM500H rechargeable battery & charger
Battery Life (CIPA)	500
Weight (inc. batteries)	812 g (1.79 lb / 28.64 oz)
Dimensions	147 x 111 x 78 mm (5.79 x 4.37 x 3.07")
Other features
Orientation sensor	Yes
Timelapse recording	No
GPS	BuiltIn

Darrell Larose
Ottawa, Canada

Canon 6D full-frame dSLR

17 September 2012 – PhotoKina


Canon today unveils its latest EOS DSLR for serious photography enthusiasts – the EOS 6D. A similar size and weight to the EOS 60D, the EOS 6D is the world's lightest1DSLR to feature a full-frame CMOS sensor, making it ideal for travel, portrait and landscape photographers. The model creates a new entry point into Canon's full-frame line-up, and is perfect for those who want greater control over depth of field, or to maximise the impact of shooting with the EOS system's extensive range of wide-angle EF lenses.

The EOS 6D combines a powerful, full-frame imaging system and superior low-light performance with a compact, robust and lightweight design. For the first time in any EOS model, Wi-Fi2 and GPS3 connectivity are included, empowering photographers to capture stunning images on the move, tag them with location information and wirelessly transfer them to a computer, the cloud, or smartphones.



Incredible images in all conditions 
Benefiting from 25 years of EOS innovation, the EOS 6D features a newly-designed 20.2 Megapixel full-frame CMOS sensor that allows photographers to produce poster-sized prints, or to crop into their shots with no compromise in quality. A native ISO range of ISO 100-25,600 (extendable to 50-102,400) also makes capturing crisp, natural shots in near darkness easier than ever before.

A new 11-point AF system also offers the strongest low light performance of any Canon AF system to date. With focusing down to EV-3, the equivalent of moonlight, subjects remain in-focus in even the most challenging lighting conditions – offering the freedom to shoot landscapes or portraits at night and capture the true atmosphere of the scene with minimal noise.



Explore your creativity to the full 
The inclusion of a full-frame sensor offers greater control over depth of field in portraits, allowing photographers to easily isolate their subjects with attractive background blur. With the EOS 6D, photographers can now also explore the full potential of their wideangle EF lenses to capture every detail of a sweeping landscape, with models ranging from 8mm to 800mm. Additionally powerful DIGIC 5+ image processing offers a host of automatic modes and creative shooting features, complementing full manual controls to offer total flexibility to a wide range of users.

The EOS 6D is full of advanced features to assist photographers in capturing outstanding quality landscapes and portraits. HDR mode enables the capture of both highlights and low lights in tricky lighting conditions, while Multiple Exposures allows photographers to combine up to nine separate exposures into a single image incamera, creating a dramatic effect in the final picture. A silent drive mode offers a more subtle option for shooting candid portraits or weddings, and a single axis electronic level accessed through the viewfinder or via the LCD screen, ensures that horizons are level during image composition.



Built for sharing 
The first ever EOS to feature integrated Wi-Fi connectivity, the EOS 6D enables photographers to share their work immediately after shooting. Images can be wirelessly transferred to external storage devices, uploaded to Facebook and YouTube, or printed wirelessly using a Canon Wi-Fi enabled printer. Alternatively, movies and images can be viewed on DLNA-enabled HDTVs – enabling high-quality, big-screen viewing. By wirelessly connecting to a smartphone, photographers can also remotely control the camera, adjusting shooting settings and focus before remotely triggering the shutter and viewing the captured image.



Using the EOS 6D's integrated GPS, images can be tagged with location data as they are shot. Travellers can also build a more complete record of their trip by using the GPS logger function to track their route, which can be displayed using the supplied Map Utility software

Robust, intuitive design 
Measuring just 144.5 x 110.5 x 71.2mm and weighing 770g4, the EOS 6D is the most compact full-frame EOS DSLR ever manufactured. Its dust and drip-proof, part magnesium body offers robust protection and an intuitive button layout for easy control. Photographers can also view their shots in stunning detail and with natural colours on the large, high-resolution 7.7cm (3.0") Clear View LCD screen, which features an enhanced anti-glare design to permit viewing in bright sunlight and at extreme angles.

A new Battery Grip BG-E13 provides additional power for extended shooting, while also making it easy to shoot both vertically and horizontally. When used with two LP-E6 batteries, the battery grip offers double the number of shots, and it can also be used with AA batteries for added convenience and flexibility.



EOS 6D - key features

• Full-frame 20.2 Megapixel sensor


• Tough, lightweight construction


• Max ISO 25,600 (expandable to ISO 102,400)


• 11-point AF sensitive down to -3EV


• GPS3 records your location


• Wi-Fi2 file transfer and remote control


• Full-HD video

1 Correct at time of issue, according to Canon research (17 September 2012)
2 Wi-Fi support varies by device and region
3 GPS use may be restricted in certain countries or regions. Use of GPS should comply with the laws and
regulations of the country and area in which it is being operated including any restriction on the use of
electronics
4 In accordance with CIPA guidelines (690g body only)

Canon EOS 6D specifications

Body type
Body type	Mid-size SLR
Body material	Magnesium alloy, polycarbonate top plate
Sensor
Max resolution	5472 x 3648
Other resolutions	3648 x 2432, 3648 x 2432, 2736 x 1824, 1920 x 1280, 720 x 480
Image ratio w:h	3:2
Effective pixels	20.2 megapixels
Sensor photo detectors	20.6 megapixels
Sensor size	Full frame (36 x 24 mm)
Sensor type	CMOS
Processor	Digic 5+
Color space	sRGB, Adobe RGB
Color filter array	RGB Color Filter Array
Image
ISO	Auto, 100 - 25600 in 1/3 stops, plus 50, 51200, 102400 as option
White balance presets	6
Custom white balance	Yes
Image stabilization	No
Uncompressed format	RAW
JPEG quality levels	Fine, Normal
File format	JPEG (Exif 2.3), RAW: RAW (5472 x 3648), M RAW (4104 x 2736), S RAW (2736 x 1824) (14bit, Canon original RAW 2nd edition)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Selective single-point Single Continuous Face Detection Live View
Autofocus assist lamp	by optional dedicated Speedlite
Manual focus	Yes
Number of focus points	11
Lens mount	Canon EF mount
Focal length multiplier	1×
Screen / viewfinder
Articulated LCD	Fixed
Screen size	3.2"
Screen dots	1,040,000
Touch screen	No
Screen type	Clear View II TFT LCD
Live view	Yes
Viewfinder type	Optical (pentaprism)
Viewfinder coverage	97 %
Viewfinder magnification	0.71×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/4000 sec
Built-in flash	No
External flash	Yes (Hot shoe)
Flash X sync speed	1/180 sec
Continuous drive	Yes (4.5 fps)
Self-timer	Yes (2 or 10 sec)
Metering modes	Multi Center-weighted Spot Partial
Exposure compensation	±5 EV (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±3 (3 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing	Yes (3 frames in either blue/amber or magenta/green axis)
Videography features
Format	H.264
Microphone	Mono
Speaker	Mono
Resolutions	1920 x 1080 (29.97, 25, 23.976 fps fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps)
Videography notes	1080 and 720 intra or inter frame, 480 inter frame
Storage
Storage types	SD/SDHC/SDXC
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (HDMI Mini)
Wireless	BuiltIn
Remote control	Yes (Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-6)
Physical
Environmentally sealed	Yes (Splash and dust resistant)
Battery	Battery Pack
Battery description	Lithium-Ion LP-E6 rechargeable battery & charger
Weight (inc. batteries)	770 g (1.70 lb / 27.16 oz)
Dimensions	145 x 111 x 71 mm (5.71 x 4.37 x 2.8")
Other features
Orientation sensor	Yes
Timelapse recording	Yes (by cable and PC)
GPS	BuiltIn
GPS notes	Image tagging and tracking modes

MSRP Canada $$2,099.99 (Canon Canada)

Darrell Larose
Ottawa, Canada

Playing with macro

I was recently gifted with a nice mint condition Nikon El-Nikkor 50mm f:5.6 enlarger lens.  I've used many an EL-Nikkor in my darkroom career, and thought they were outstanding lenses.  I have no intention of returning to the darkroom, however an enlarger lens is by nature a macro lens. So went to my back-up film camera gadget bag, dug out my Pentax Auto-Bellows M, my M42 to K-mount adapter, and my M39>M42 (Leica thread to Pentax thread) ring.  Screwed the EL-Nikkor onto the front of the bellows, popped the bellows onto my Pentax *istD dSLR, this rig will focus from extreme macro to ∞.  Here are two samples I took today.

Red Clover (Trifolium pratense)

Darrell Larose
Ottawa, Canada

Nikon D-600 new full-frame dSLR

MELVILLE, N.Y. (September 13, 2012)

Nikon Inc. announced the 24.3-megapixel (MP) D600, a camera that is designed to deliver the image quality and performance benefits of a full frame FX-format sensor to the enthusiast looking to take their dedication to the next level. The Nikon D600 offers a remarkable value, merging the perfect combination of a lightweight, compact form factor and superior image quality, making the leap into FX-format photography more attractive than ever.

Whether shooting stills or Full HD video, advanced features and Nikon technologies like the newly developed high resolution CMOS sensor and EXPEED 3 image processing engine are designed to meet the needs of the most demanding creative vision. Additionally, Nikon's new optional WU-1b wireless adapter allows users to shoot high quality HD-SLR images and transfer them to their mobile device, making it easier to stay connected, without the need for wires.



"For many, image making is so much more than a hobby; it is a way of life that changes the way the world is perceived. The Nikon D600 represents a new category of camera for this user and demonstrates Nikon's devotion to the passionate photographer who is always looking for new ways to express their creativity through their photos and HD videos," said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc. "By offering users the advanced FX-format and key features inherited from our professional cameras, along with new functions like optional wireless capabilities, Nikon is inspiring photographers by providing an imaging experience that satisfies like never before."

Superior Image Quality
Nikon's FX-format offers photographers exciting image quality possibilities, from dazzling dynamic range and exacting detail to stellar low-light ability. The D600 employs Nikon's newly developed, large 24.3 MP FX-format CMOS Sensor (35.9 x 24mm) to offer photographers a versatile camera that provides amazing image quality and sharpness, with ample resolution to tackle almost any project. Because the needs of the advanced amateur varies widely, the new CMOS sensor provides a wide ISO range from 100-6400 (expandable from 50-25,600) to give photographers maximum low-light flexibility yielding clean images

with minimal noise and accurate color. The full ISO range can also be used while capturing HD video in challenging light. Nikon's exclusive EXPEED 3 image processing engine interprets the massive amount of image data flowing from the sensor to quickly process images and HD video. The result is striking images and impressive HD video that exhibits faithful color reproduction and tonal range throughout the frame.



Precision Technology Engineered for the Enthusiast
Enthusiasts of all types demand the best from their gear, and the Nikon D600 is a camera engineered with intuitive features that give photographers an edge in the field. Whether shooting lush landscapes, action sports or the elusive animals of the Serengeti, Nikon's Scene Recognition System and 2,016 pixel RGB sensor excels in any situation. By recognizing the scene prior to capture, the system meticulously analyzes factors such as color and brightness with extraordinary precision and compares all the data using Nikon's exclusive 30,000 image database. The result is enhanced AF performance and flattering exposures.

For precise AF performance in a wide variety of shooting conditions, the D600 features a 39 point AF system with the new MultiCAM 4800FX AF module. This AF array is well suited to a wide variety of shooting styles and disciplines, offering AF modes to let users select a single point, continuous AF, Dynamic AF or use 3D tracking to keep pace with a moving subject throughout the frame. Additionally, the system features nine cross type sensors for maximum accuracy, while seven AF points are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8 for extreme telephoto applications.

To keep up with action sports, active wildlife or the photo opportunity that unexpectedly arises, the D600 is ready to shoot in 0.13 seconds, with a 0.052 second shutter release. The camera emphasizes speed and performance, from overall operation and image processing, helped in part by the exceptional EXPEED 3 processing engine. The camera is also capable of bursts of images at 5.5 frames per second (fps) at full resolution with full AF, to capture decisive moments. To further enhance speed and workflow, images and video can also be rapidly transferred to dual SD card slots that are compatible with the latest SDXC and UHS-1 high speed standards.

Enthusiasts will also appreciate other thoughtful features made to appeal to more advanced photographers, such as the 100% frame coverage seen through optical viewfinder. The wide and bright view makes it easy to compose in a variety of conditions, and affords the ability to enjoy shooting for hours on end with minimal eye fatigue. Additionally, the D600 features several scene modes and features to enhance creativity, including one-touch access to Picture Control functions through a new dedicated button. Photographers can also shoot images in High Dynamic (HDR) mode for amazing highlights, and create awe-inspiring time lapses with ease.

Experience Full HD
The Nikon D600 has advanced video features that are ideal for those ready to embrace the world of HD-SLR video, as well as those already enjoying its benefits such as manual control, depth of field, low-light ability and lensing options. This camera gives users the ability to record Full HD at varying frame rates and resolutions including 1080p video at 30, 25 or 24p, and 720p video at 60, 50 and 30p. When shooting HD video at the highest quality setting, up to 20 minutes can be recorded, or up to 29 minutes and 59 seconds in normal quality for added convenience when shooting static shots such as interviews and events. The large 3.2-inch 921K dot LCD screen makes it easy to preview images or video captured, navigate the menu system or confirm critical HD focus, while automatic brightness control adapts seamlessly to changing lighting conditions.

Sophisticated video features help to increase the production value on any project, including full manual control of exposure, and the ability to switch between FX and DX-format (1.5X) at Full HD for a telephoto boost and alter depth of field. Users can opt to focus manually or can take advantage of the full-time AF while recording to help ensure faces are in focus or track a moving subject. Additionally, videographers have the ability to capture audio with the onboard microphone or record stereo audio externally using the mic input. Audio can be monitored through the headphone jack and levels can be displayed on the LCD with peaking.

In addition to the ability to play back HD video and images through the HDMI terminal, users are also able to experience pro-grade video features in the Nikon D600. For monitoring and streaming applications, the image can be displayed on the LCD screen while simultaneously shown on another monitor through the HDMI, with or without shooting data. What's more, the D600 adds the ability to transfer uncompressed video via the HDMI connection, which can then be routed to a digital recorder or similar device.

Remote Sharing and Capture
Photography is a form of expression, which can now be shared more ways than ever before through social networks and online communities. To accompany the D600, Nikon has also announced the optional WU-1b Wireless Adapter that allows users to connect wirelessly to the camera. A companion Wireless Mobile Adapter Utility application for Android™ based mobile devices is also available at no additional cost. 1 Furthermore, an application for the iPhone® and iPad® mobile digital devices will be available on September 15, 2012.2

When connected, users are able to share their images taken with the D600 through their mobile device to their social circles, as well as send and download images from their camera to a compatible device.3 The adapter also allows users to remotely fire the D600's shutter from up to 50 feet from the camera, which is ideal for capturing photos from unique vantage points.

NIKKOR, Speedlight and System Compatibility
Supporting the D600 is Nikon's heritage in optical excellence, more than 70 NIKKOR AF and AF-S compatible lenses for maximum versatility. Those with DX-format lenses will also be happy to know that these lenses can also be used on the camera as well as the ability to set DX crop for stills or video to extend the reach of telephoto or telephoto zoom lenses.

The new Nikon HD-SLR is also a gateway to Nikon's renowned Creative Lighting System (CLS) which illuminates a whole new world of creative image making using multiple Speedlights. A built-in Speedlight commander can control multiple Speedlights such as Nikon's SB-700, SB-910 or Wireless Close Up Speedlight System, and the camera can also control up to two individual speedlight groups for further creative control.



Constructed to Inspire
Built to withstand the wide variety of shooting conditions enthusiasts face, the body of the D600 is sealed and gasketed against dirt and moisture. The camera uses magnesium alloy top and rear construction to provide a lightweight camera with maximum durability. The shutter has been tested for 150,000 cycles, and sensor cleaning is also employed. The battery is rated for approximately 900 shots, affording photographers the ability to shoot all day. Additionally, the optional MB-D14 Multi Power

Battery Pack extends the grip for comfort and can effectively double the battery capacity when using two batteries.

The D600 is also built with an emphasis on handling with thoughtful ergonomics and button placement, in a body that is compact enough to carry comfortably on any excursion. The hand grip has been improved for comfort, while the overall impression from using the camera is reassuringly solid. To avoid accidental engagement, the shutter button has been recessed, while the Mode Dial can be locked.

Price and Availability 
The Nikon D600 will be available on September 18, 2012 for the suggested retail price (SRP) of $2,179.95*, for body only, or with the AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR . The WU-1b will be also available on September 18, 2012. The MB-D14 Multi Power Battery Pack will be available in late September. For more information on the new Nikon D600 and other Nikon products, please visit www.nikon.ca

Nikon D600 specifications

Price
MSRP	Body: $2099/ £1955.99 ; With 24-85mm F3.5-5.6: $2699/£2443.99
Body type
Body type	Mid-size SLR
Body material	Magnesium alloy
Sensor
Max resolution	6016 x 4016
Other resolutions	4512 x 3008, 3936 x 2624, 3008 x 2008, 3008 x 1688, 2944 x 1968
Image ratio w:h	3:2
Effective pixels	24.3 megapixels
Sensor photo detectors	24.3 megapixels
Sensor size	Full frame (35.9 x 24 mm)
Sensor type	CMOS
Processor	Expeed 3
Color space	sRGB, Adobe RGB
Color filter array	Primary Color Filter
Image
ISO	100 - 6400 in 1, 1/2 or 1/3 EV steps (50 - 25600 with boost)
White balance presets	12
Custom white balance	Yes
Image stabilization	No
Uncompressed format	RAW
JPEG quality levels	Fine, Normal, Basic
File format	NEF (RAW): 12 or 14 bit, lossless compressed, compressed or uncompressed TIFF (RGB) JPEG
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Face Detection Live View
Digital zoom	No
Manual focus	Yes
Number of focus points	39
Lens mount	Nikon F mount
Focal length multiplier	1×
Screen / viewfinder
Articulated LCD	Fixed
Screen size	3"
Screen dots	921,000
Touch screen	No
Screen type	TFT LCD monitor
Live view	Yes
Viewfinder type	Optical (pentaprism)
Viewfinder coverage	100 %
Viewfinder magnification	0.7×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Program (P) Shutter-priority (S) Aperture priority (A) Manual (M)
Built-in flash	Yes (Pop-up)
Flash range	12 m (at ISO 100)
External flash	Yes (Hot-shoe, Wireless)
Flash modes	Auto, On, Off, Red-eye, Slow sync, Rear curtain
Flash X sync speed	1/200 sec
Continuous drive	Yes (5.5, 1-5 fps)
Self-timer	Yes
Metering modes	Multi Center-weighted Average Spot
Exposure compensation	±5 EV (at 1/3 EV, 1/2 EV steps)
AE Bracketing	(2, 3 frames at 1/3 EV, 1/2 EV, 1 EV steps)
WB Bracketing	Yes
Videography features
Format	MPEG-4 H.264
Microphone	Mono
Speaker	Mono
Resolutions	1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50, 30, 25 fps)
Storage
Storage types	SD/SDHC/SDXC x 2 slots
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (Mini Type C)
Wireless	Optional
Remote control	Yes (Optional, wired or wireless )
Physical
Environmentally sealed	Yes (Water and dust resistant)
Battery	Battery Pack
Battery description	Lithium-Ion EN-EL15 rechargeable battery & charger
Battery Life (CIPA)	900
Weight (inc. batteries)	760 g (1.68 lb / 26.81 oz)
Dimensions	141 x 113 x 82 mm (5.55 x 4.45 x 3.23")
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	Optional
GPS notes	GP-1, Wu-1b mobile adapter

Nikon Canada $2,179.95 *MSRP

Darrell Larose
Ottawa, Canada

Pentax K-5 II DSLR and K-5 IIs with no low-pass filter

Denver, CO (September 10, 2012) – PENTAX RICOH IMAGING AMERICAS CORPORATION today announced the introduction of its PENTAX K-5 II and K-5 IIs flagship digital SLR cameras, designed to advance the company’s well-received K-5 camera, which launched in October 2010. These new dustproof, weather-resistant and cold-resistant cameras include a newly developed SAFOX X AF sensor that delivers the broadest autofocusing EV range (-3 EV to +18 EV) in its class. In addition, the PENTAX K-5 IIs is offered without an anti-aliasing filter, making it the perfect solution for photographers who practice commercial and studio photography where camera settings, lens selection, lighting, and other shooting conditions are controlled.



The new PENTAX K-5 II / K-5 IIs offer a compact, solid body that delivers high quality image reproduction, especially when working in low light conditions. The camera’s new, highly sensitive AF sensor enables photographers to work with a luminous flux based on F2.8 levels in addition to F5.6, which increases the AF accuracy when using fast lenses. The AF sensor also includes an upgraded AF algorithm as well as the Select-Area Expansion feature, which automatically tracks the subject when it deviates from a pre-assigned selection point, by assessing data from neighboring sensors.

“The new K-5 II and K-5 IIs deliver an extensive range of photographic possibilities for the resolution-conscious photographer in all of us. As a successor to our popular K-5 camera, these new models offer upgraded features designed to produce superb image quality, including the new AF sensor which is especially useful for photographers working in low light conditions,” said John Carlson, Sr. Manager of Sales and Marketing, PENTAX.

Major features include:

High resolution CMOS sensor for true-to-life images with minimal noise
With its large sensor measuring 23.7mm by 15.7mm with approximately 16.28 effective megapixels, the K-5 II’s latest-generation CMOS image sensor ensures high-speed image data readout. By coupling the sensor with the PRIME (PENTAX Real Image Engine) II imaging engine, the K-5 II delivers super high resolution, rich gradation digital images free of digital noise over a wide sensitivity range – from ISO 100 to ISO 12800 in the standard setting, or from ISO 80 to ISO 51200 when expanded via a custom function.



High quality LCD monitor with outstanding visibility outdoors
The K-5 II includes a 3.0 inch, wide-view, air-gap-free LCD display with approximately 921,000 dots for excellent visibility when outdoors. Situated between the front glass panel (which is coated with an anti-glare film) and the LCD screen is a unique resin layer that alleviates the reflection and dispersion of light to effectively prevent ghost images and maintain image brightness. The LCD cover is also made of tempered glass to keep it free of scratches and abrasions.

Anti-aliasing filter-free feature of the K-5 IIs
The K-5 IIs is offered without an anti-aliasing filter, which is commonly found in many DSLRs to smooth computer generated imagery by decreasing high frequencies and distortion, but adversely reduces detail resolution. Without this filter, the K-5 IIs creates deeply rich, detailed imagery at supreme resolution levels.



Compact, solid body with dustproof, weather-resistant construction
The K-5 II’s exterior casing is made of sturdy and lightweight magnesium alloy, while its chassis is made of highly rigid stainless steel. With 77 special seals in its body, the camera offers a dustproof, weather-resistant and cold-resistant construction, assuring reliable operation at temperatures as low as 14°F (-10°C). It also features a dependable shutter unit for a top shutter speed of 1/8000 per second, and the ability to withstand as many as 100,000 shutter releases.



PENTAX-original SR mechanism
The camera features the PENTAX-developed SR (Shake Reduction) mechanism, which compensates for the adverse effects of camera shake by approximately three shutter steps for blur-free images. The SR mechanism works with a variety of PENTAX interchangeable lenses – even those designed for film-format cameras. Thanks to its flexible design, which shifts the image sensor unit in all directions within the image place, the K-5 II offers several useful features to assist the photographer during shooting, such as auto level compensation and image composition fine-adjustment functions.

Bright, clear optical viewfinder with a nearly 100-percent field of view
The K-5 II features a glass pentaprism finder with a 100% field of view and approximately 0.92-times magnification (with a 50mm F1.4 lens at infinity) for an exceptional view of the entire image field and improved accuracy while photographing. The camera is also equipped with the Natural-Bright-Matte III focusing screen to facilitate manual-focus operation.

High-speed, continuous shooting to capture up to seven images in one second
The K-5 II’s high-speed continuous shooting mode allows photographers to record as many as 30 images (in the JPEG format) in a single sequence at a maximum speed of approximately seven images per second. This is ideal when shooting fast-moving subjects such as athletes and wildlife – all with ease and precision.

Innovative image processing functions
A custom image function allows users to easily select the desired finishing touch for a particular image to help express their creativity. This function provides a choice of nine distinctive custom image modes, such as Bleach Bypass, which creates a solemn visual effect used in motion pictures, and Cross Process, which produces eye-catching images with unique, dramatic colors. The K-5 II also offers 18 built-in digital filters, including sketch and posterization, to add distinctive visual effects to images without the need for software-aided computer re-touching.

Additional features of the PENTAX K-5 II / K-5 IIs include:

• Electronic Level function, with a vertical level scale


• Automatic compensation of distortion and lateral chromatic aberration (available only with DA,D FA and FA Limited series lenses)


• CTE mode, to automatically adjust the white balance to emphasize the dominant colors of a specific scene


• DR II (Dust Removal II) mechanism, to effectively shake dust off the CMOS image sensor using ultrasonic vibration


• PENTAX-original Hyper Control system, to swiftly and accurately respond to the photographer’s creative intentions


• Dynamic range expansion function, to compensate for both whitewashed (overexposed) highlight area and blackout (underexposed) shadow area


• RAW data retrieve function to save the original RAW data of a just-recorded JPEG format image


• RAW/Fx button, for single-action switching of image file format, as well as for assignment and instant recall of a specific function


• A choice of three grid patterns while in Live View mode, including “Golden Section”


• Long battery life, for recording of approximately 980 images with a full recharge

Pricing and Availability
The new PENTAX K-5 II will be available at retail outlets nationwide and online in October 2012 with a suggested retail price of $1,199.95 for body only, $1,349.95 for the K-5 II kit including the DA 18-55mm WR zoom lens and $1,549.95 for the K-5 II kit including the DA 18-135mm WR zoom lens. The K-5 IIs will also be available at retail outlets nationwide and online in October with a suggested retail price of $1,299.95 for body only.

Pentax K-5 II and K-5 IIs specifications

Price
MSRP	Body Only:$1,299.95
Body type
Body type	Mid-size SLR
Body material	Lightweight magnesium alloy body, Stainless steel chassis
Sensor
Max resolution	4928 x 3264
Other resolutions	3936 x 2624, 3072 x 2048, 1728 x 1152
Image ratio w:h	3:2
Effective pixels	16.3 megapixels
Sensor photo detectors	16.9 megapixels
Sensor size	APS-C (23.7 x 15.7 mm)
Sensor type	CMOS
Processor	Prime II
Color space	sRGB, Adobe RGB
Color filter array	Primary Color Filter
Image
ISO	Auto, 100 to 12800, in 1, 1/2, 1/3 EV steps (80 to 51200 Extended)
White balance presets	9
Custom white balance	Yes (3)
Image stabilization	Sensor-shift
Uncompressed format	RAW
JPEG quality levels	Good, Better, Best, Premium
File format	RAW 14 bits (PEF, DNG) JPEG (Exif 2.3) DCF 2.0
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Tracking Single Continuous Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	No
Manual focus	Yes
Number of focus points	11
Lens mount	Pentax KAF2 mount
Focal length multiplier	1.5×
Screen / viewfinder
Articulated LCD	Fixed
Screen size	3"
Screen dots	921,000
Touch screen	No
Screen type	TFT LCD monitor
Live view	Yes
Viewfinder type	Optical (pentaprism)
Viewfinder coverage	100 %
Viewfinder magnification	0.92×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/8000 sec
Exposure modes	Green Program (P) Sensitivity-Priority (Sv) Shutter-Priority (Tv) Aperture-Priority (Av) Shutter and Aperture Priority (TAv) Metered Manual (M) Bulb X User Video
Built-in flash	Yes (Pop-up)
Flash range	13 m (at ISO 100)
External flash	Yes (Hot-shoe, Wireless)
Flash modes	Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless
Flash X sync speed	1/180 sec
Drive modes	Single Self-timer (2 or 12 sec) Continuous shooting (Hi, Lo) Remote control (0, 3 sec or continuous) Super-Impose (up to 9 pictures) Interval up to 999 pictures Exposure bracketing (2, 3 or 5 frames, also available with self-timer and remote control) Mirror lock-up (w/ or w/o remote control)
Continuous drive	Yes (7 fps)
Self-timer	Yes ( 2 or 12 seconds)
Metering modes	Multi Center-weighted Spot
Exposure compensation	±5 EV (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±2 (2, 3, 5 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing	No
Videography features
Format	Motion JPEG
Microphone	Mono
Speaker	Mono
Resolutions	1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps)
Storage
Storage types	SD/SDHC/SDXC
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (mini)
Wireless	None
Remote control	Yes (optional, wired or wireless)
Physical
Environmentally sealed	Yes (Weather and dust resistant)
Battery	Battery Pack
Battery description	Lithium-Ion D-LI90P rechargeable battery & charger
Battery Life (CIPA)	980
Weight (inc. batteries)	760 g (1.68 lb / 26.81 oz)
Dimensions	131 x 97 x 73 mm (5.16 x 3.82 x 2.87")
Other features
Orientation sensor	Yes
Timelapse recording	Yes (up to 999 pictures)
GPS	Optional
GPS notes	O-GPS1

Darrell Larose
Ottawa, Canada